Photography Gear Used to Create Fine Art

"Fujifilm GFX camera gear including GFX body, medium format lenses, and accessories used for professional photography"

FUJIFILM GFX50S (IR) body

It combines outstanding resolution of 51.4 megapixels with exceptional tones, advanced colour reproduction and high-performance lenses.

This particular GFX 50S has been professionally converted to full-spectrum, dramatically expanding its creative potential. By removing the internal infrared-cut filter, the camera can now capture a wider range of light—from ultraviolet through visible to infrared—depending on the external filter used.

With the right filters, photographers can explore a vast spectrum of effects:

  • 720nm IR filters produce stunning black and white infrared images with deep contrast and ethereal glow.

  • 590nm or 665nm filters offer false-color infrared photography with dreamlike hues.

  • Aerochrome-style effects can be achieved using specialized IR chrome filters, replicating the classic Kodak Aerochrome look with vivid reds and surreal color shifts.

This full-spectrum GFX 50S transforms an already outstanding medium format system into a uniquely versatile tool for fine art, landscape, and experimental photography, unlocking visual possibilities far beyond what’s visible to the naked eye.

FUJIFILM GFX100 body

GFX100 pairs a back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the color filter array. This minimizes noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colors are near eliminated through the omission of an optical low-pass filter. Lastly, the inclusion of a motion sensor retention mechanism suppresses even the slightest vibrations that may be caused by camera shake or the even the movement of the shutter.

FUJINON GF LENS kit

  1. FUJINON GF 23mm f/4 R LM WR wide lens.

  2. FUJINON GF 63mm f/2.8 R WR standard lens.

  3. FUJINON GF 32-64mm f/4 R LM WR standard zoom lens.

  4. FUJINON GF 45-100mm f/4 R LM OIS WR zoom lens.

  5. FUJINON GF 100-200mm f/5.6 R LM OIS WR standard zoom lens.

  6. FUJINON GF 120mmF4 R LM OIS WR Macro mid-telephoto macro lens.

  7. FUJINON GF 250mmF4 R LM OIS WR telephoto lens.

 

Images Captured using various Fujinon GF Lenses

Captured with Fujinon GF 23mm f/4 R LM WR Lens.

Captured with the GF23mm

Using a wide angle lens was required when photographing the aurora in Iceland.

Captured with Fujinon GF 63mm f/2.8 R WR Lens.

captured with the

gf63mm

Once having decided on the perspective the 63mm f/2.8 was used to deliver uncompromising results.

Captured with Fujinon GF 32-64mm f/4 r LM WR Lens.

Captured with the

gf32-64mm

Using a wide angle zoom lens was versatile inside Antelope Canyon as each chamber presented both open and closed spaces.

captured with the

gf45-100mm

Capturing the exposed natural ochre earth, the 45-100mm lens provided versatile focal lengths for detailed close-ups and broader perspectives, akin to strategic choices for diverse landscapes on my website.

Captured with Fujinon GF 120mm f/4 Macro R LM OIS WR Lens.

Captured with the

gf120mm

The 120mm was used to provide mild compression whilst capturing the dunes at Zabriskie Point in Death Valley.

CAPTURED WITH THE GF100-200MM

For maximum versatility, the 100-200mm lens was the perfect choice, offering dynamic zoom range and exceptional clarity throughout.

Captured with Fujinon GF 250mm f/4 R LM OIS WR Lens.

Captured with the

gf250mm

Achieving maximum compression was required shooting the many layers in the Grand Canyon, the ultimate choice was using the 250mm coupled with the GF 1.4x teleconverter.